Scotland 2023

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Brighton Park, Portobello – Edinburgh, Scotland

May 2023

So much have happened since our last time in Scotland. Difficult things to adjust to. Painfull. But you take the hit and keep moving. It’s the only thing you must do. For there’s no reverse. There’s only going forward. And it was about time we once again boarded a plane to Scotland. More photographs than words. Here it is.

At the bus stop – Edinburgh airport

Glasgow and Edinburgh only for this one. No car renting. Our flight landed in Edinburgh in a Tuesday morning. Blue sky with white scattered clouds. A very nice welcome.

The bus to Glasgow takes about an hour. As soon as the route starts and you leave the airport, your eyes drift away to the Scottish countryside which you like so much. It’s so nice to be back.

Glasgow City – Glasgow
She.      Glasgow City – Glasgow
Glasgow City – Glasgow

Some showers here and there, but nothing major. Clouds gathering, a wee chilly wind to wake up your warm skin, then spreading apart once more to let more light to the streets. Classic Scottish weather changing conditions, without the rain.

Buchanan St – Glasgow

Checked in to our hotel and went out for a stroll and something to eat. We choose a pub -what else? – and it was the best intro to our first day in Glasgow.

The Pot Still – Glasgow

Day light was still very bright and a short walk down by the River Clyde filed our eyes with sunny water views.

River Clyde – Glasgow
River Clyde – Glasgow
River Clyde – Glasgow
River Clyde – Glasgow
River Clyde – Glasgow

Back to the hotel to let our feet get some rest and allow the sun to set. Later, the night stroll lead us down by the river again to a very old place. Had to visit and enjoyed our time there.

The Scotia – Glasgow
The Scotia, Glasgow
The Scotia – Glasgow

It is considered one -if not- the oldest in Glasgow and chances are you will enjoy your drink while a guitar will be played near you and songs will fill the place.

On the way there and back, my eyes were drawn by a black building.

Theatre School Of Scotland – Glasgow
The Ivy – Glasgow

A good breakfast, coffee, and off we went…

Argyle St, Kelvinhaugh – Glasgow

A visit to Kelvingrove Art Gallery and Museum is a must while in Glasgow. A fabulous place to wonder into and explore the galleries. During our time there, children from an art school were practising drawing and painting. Dispersed in various places in the building, the lively little artists were a delightfull view amongst the exhibits. In the main big hall, an Organ fills the place with it’s distinctive sound when played every day for some time. A small cafe serves the need for a refreshment break. Entrance is free but we would gladly pay to get in. There are donation boxes, if you visit do donate.

Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Salvador Dalí’s Christ of St John of the Cross, Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
This Mark F21 Spitfire (LA198) flew with the 602-City Of Glasgow Auxiliary Squadron between 1947-1949. Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove Art Gallery and Museum – Glasgow
Kelvingrove – Glasgow

The day was once again great and fitted the walk up Kelvin Way to the University Of Glasgow.

near Kelvin Way – Glasgow
near Kelvin Way – Glasgow
The Cloisters, University Of Glasgow – Glasgow
University Of Glasgow – Glasgow

The Hunterian museum is inside the historic Gilbert Scott building. For us non students a perfect opportunity to step in the old building. The museum itself is excellent and houses Scottish mineral treasures, dinosaurs and fossils along with excibitions dedicated to the Romans in Scotland, W. Hunter, the scientist Lord Kelvin and Glasgow’s medicine history.

Hunterian museum, University Of Glasgow – Glasgow
Lord Kelvin, Hunterian museum, University Of Glasgow – Glasgow
Hunterian museum, University Of Glasgow – Glasgow
University Of Glasgow – Glasgow

Took us a while to find the right door… it was her major afterall… just in another university. Can you make ‘English Literature’ on the sign?

University Of Glasgow – Glasgow
University Ave & Kelvin Way – Glasgow

A quick lunch brake in Bank Street Bar Kitchen, a ‘student’ spot that brought up memories of our desk years and felt good. Then off we went down the road…

Lesley’s Street Cafe on Woodside Cres – Glasgow
on the footbridge above North St – Glasgow
on the footbridge above North St – Glasgow
on the footbridge above North St – Glasgow
Lobey Dosser, Rank Bajin and El Fideldo – in memory of Bud Neill, were Woodlands Gate meets Woodlands Rd – Glasgow

Bud Neill was a Scottish cartoonist for a number of Glasgow newspapers between 1940-1960. Here is Sheriff Lobey Dosser of Calton Creek. Rank Bajin, a resident of Calton Creek, and El Fideldo the sherrif’s two-legged horse.

a bicycle – Glasgow
better get a taxi – Glasgow

Next morning we set the walking route to the opposite side. The end of Cathedral St takes you to the Glasgow Cathedral next to the Necropolis but before emerging to silence you pass by the tall modern buildings full of youth life and dreams.

Cathedral St – Glasgow
Cathedral St – Glasgow
Cathedral St – Glasgow
Cathedral St – Glasgow
The Glasgow Cathedral – Glasgow
The Glasgow Cathedral – Glasgow
Necropolis – Glasgow
Necropolis – Glasgow
Necropolis – Glasgow
Necropolis – Glasgow
Necropolis – Glasgow

On the way back via High St and in George St we once again mingled with the modern University buildings and saw some destinctive Murals.

High St – Glasgow
George St – Glasgow
George St – Glasgow
George St – Glasgow
George St – Glasgow
George St – Glasgow
George St – Glasgow
George Square – Glasgow
George Square – Glasgow
Statue of Arthur Wellesley (the cone now on the horse) – Glasgow
Gallery Of Modern Art (formerly Royal Exchange) – Glasgow
River Clyde – Glasgow

Next stroll took us down by river Clyde on a bright afternoon.

River Clyde – Glasgow
River Clyde – Glasgow
River Clyde – Glasgow
River Clyde – Glasgow

Glasgow played an important part in shipbuilding and docks were flourishing it’s waters. During a short meal, dusk came to be.

River Clyde – Glasgow
River Clyde – Glasgow
The OVO HYDRO – Glasgow

As I mentioned earlier there was no car renting for this trip. But as we wanted to visit a well known viaduct we hoped on a daily bus trip from Glasgow. To anyone seriously interested in a daily bus trip from Glasgow (or Edinburgh) do decide on the date and route and buy your tickets before travelling to insure your going. We chose the “Glennfinnan Viaduct, Mallaig & Glencoe Tour” with Discover Scotland Tours. Plenty of views of rural Scotland that we love.

Loch Lomond – Tarbet
Loch Lomond – Tarbet
Loch Tulla viewpoint
Three Sisters – Glencoe

More important than a refreshment and souvenir stop, the Glencoe visitor centre provides info and advice on the difficulty and possible hazards on the various Glencoe paths to any trekking admirer.

Glencoe Visitor Centre

Traigh beach – near Morar

Malaig is a small port with a few places to eat and stroll.

Malaig
Malaig
Malaig
Steam train engine 44871 – Malaig

It is also the end destination of the steam train coming from Fort William before returning. Most daily bus trips schedule their time to ‘catch’ views of the train as it passes over Glenfinnan Viaduct on the way back.

Steam train engine 44871 – Malaig
Glenfinnan Monument – Loch Shiel , Glenfinnan
Glenfinnan Monument – Loch Shiel , Glenfinnan

The view of Glenfinnan Monument from Glenfinnan viewpoint is beautiful. It takes some steps uphil to get there but it’s worth it. In our opinion it’s not worth it for the Viaduct. A better view is the one closer from groundlevel. If you want to admire the viaduct’s curve you have to have time to go closer to the viaduct’s sides and way higher from it.

Glenfinnan Viaduct – Glenfinnan

Upon arriving in the visitor centre, we went down to see the monument, then went up the viewpoint were we decided it was best to go down and head closer to the viaduct. The view was better and soon after the steam train passed on it’s way back to Fort William.

5mt 44871 on Glenfinnan Viaduct – Glenfinnan

We made a few more stops on the way back to Glasgow before completing the 12h bus trip.

Glen Etive – Loch Etive
The Drovers Inn – Inverarnan, Loch Lomond

Glasgow is a beautifull city. We made choices as to where to go for the days we stayed. There are more things to go to, the Botanic Gardens, the Museum of Transport, Pollock Park and more. We took the bus and headed back to Ediburgh for the remaining days of our trip.

Edinburgh City Centre

Leaving the bus station we walked a bit towards the bus stop to wait for a bus ‘ride’ to our booked hotel. Edinburgh is very familiar to us by now, on a Sunday with a sun like this, we were certain our destination after ckecking-in the hotel would be crowdy.

Duddingston Rd – Edinburgh
Brighton Pl – Edinburgh
Portobello – Edinburgh
Portobello – Edinburgh

A sunny warm and calm walk led us to Portobello. And a couple of streets further, it’s beautiful beach.

Portobello Beach – Portobello, Edinburgh
Portobello beach – Portobello, Edinburgh

Chose to include two photos after enough walk off centre for the beach to be with very few people.

Portobello – Edinburgh
Brighton Park – Edinburgh

Brighton Park on Brighton Pl, hosts the ‘Portobello Market’ every first Saturday of every month. Must be quite interesting and tasteful but it was a Sunday afternoon. The park was almost empty. A gentleman was painting and a group of girls was chilling on the grass. We sat there for a while to enjoy the silence and the sun.

Suntoxication (if there is such a word/state) – Brighton Park, Edinburgh
Edinburgh Castle – Edinburgh

It’s rather impossible to decide if you prefer Princess St by day or by night. So let’s just agree we love it eitherway.

Princess St Gardens – Edinburgh
Scottish National Gallery – Edinburgh
The University Of Ediburgh, New College – Edinburgh
Museum Of The Mount – Ediburgh
Scott Monument – Edinburgh

Scott Monument drifts into the night as we head back to the hotel room. Next day comes a special day.

Cafe Royal – Edinburgh

The ‘Scotland 2019’ piece starts with a photo inside the Cafe Royal and the text: ‘The beautiful tile murals at the Cafe Royal lit up our eyes and the stained glass, the mirrors and wood blend nicely. A fine place. We would meet our friends Gordon and Dorothy, but I messed up the dates and it didn’t happen. It will in the near future we hope…’ and it did, 4 years later, and we were so happy it did.

We got there earlier and I had in my mind to tease Gordon if they were just a minute late… they weren’t late, they got in from the other entrance and my plan was shuttered when I glimpsed inside from the window and there he was ordering at the bar! Proper introductions were of course not needed at least between Gordon and me. I just stood by him and asked what he ordered, he replied and asked me what I will have. It’s that simple. Just a few meters back, Elina and Dorothy matched our mood and soon after this gang of four occupied a table with a history.

Then we walked to a nice restaurant for a fine meal and then walked more right up to the tracks until the gates of the train opened for our favourite Scottish couple to return home. Till next time our friends!

Dorothy, Gordon, Elina, Nasos – Edinburgh

Overwhelmed -though a wee sad the time passed and they had to go- we strolled in Edinburgh towards Circus Lane and then back to centre and Rose St to an old pub.

Circus Lane – Edinburgh
Circus Lane – Edinburgh
Dirty Dick’s Pub – Edinburgh
Dirty Dick’s Pub – Edinburgh
Rose St – Edinburgh

Next morning the sun was again too bright to let go. Perfect conditions for Pricess St Gardens to host people enjoying the light.

Overlooking Princess St Gardens – Edinburgh
Princess St Gardens – Edinburgh
Writer’s Museum – Edinburgh

Dedicated to Robert Burns, Sir Walter Scott and Robert Louis Stevenson, The Writer’s Museum is a fine place to visit while in Edinburgh.

***A stop to visualise ourselves in another era… great times!

The clouds add to the sky’s beauty and your eyesight is in full throttle. Even if you don’t plan to enter the Castle, go for the views of the city.

View from Edinburgh Castle hill – Edinburgh
Edinburgh Castle hill – Edinburgh

‘Take me to the water’ she sung,  Leith in sunny weather is also a fist for the eyes.

Leith – Edinburgh
Leith – Edinburgh
Leith – Edinburgh
Leith – Edinburgh
Ocean Drive – Leith, Edinburgh

***We explored our Scottish past fairytale inside the Tartan Weaving Mill. ‘Royal’ does not suit me, never did, I choose to wear something more true to me.

Drift In Time – Tartan Weaving Mill, Edinburgh

The bus to the airport awaits. We get in, I glimpse a wee of Scott Monument as the engine starts.

Airport 100 bus – Edinburgh

The iconic Edinburgh airport tower, the problem is I see it from the wrong side. The departure side.

The Tower – Edinburgh airport

The last image in this post is a black & white film photo with the artifacts of developing from an amateur with no intention to be better at it. It could have been taken years ago, or this May that passed. What it shows is what matters to me. It sums up my opinion, thoughts and feelings about Edinburgh and Scotland in general.

Princess St Gardens – Edinburgh

Nasos Papathanasiou

Above Underwater…

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    …from the Nikonos II instruction manual

    Page 2. Forewood

” The Nikonos II amphibious camera is built to go with you wherever your imagination leads you. Underwater, it performs at depths down to 160 feet (50m) without a bulky accessory housing. On land, it takes rain, snow, dust, dirt and salt water in stride. If you can take it, so can the Nikonos. ”

The history is more or less known and easily found online. In the 1950’s the legend of sea exploration Jacques Cousteau collaborated with Jean De Wouters, a Belgian aeronautical engineer. This led to the design and manufacture of The Calypso in France , an amphibious camera. The standard lens on the Calypso for amphibian use was a 35mm SOM Berthiot and the first models had a 1/1000 top shutter speed. Later it was reduced to 1/500.

Nippon Kogaku, Tokyo, bought the manufacturing and distribution rights. The Nikonos line of amphibious cameras started it’s journey in 1963. It consists of the Nikonos (I), Nikonos II, III, IV, V and the Nikonos RS.

The Nikonos I & II are almost identical. III is bigger overall with some alterations and more plastic parts. Those 3 pure mechanical models have basic shutter speeds, tripod socket -which can be removed to mount the contact cable for an underwater flash- film rewind, Bulb mode, film counter, an ingenious advance/shutter release lever… all that’s needed for a manual camera with full control from the user. The film advance lever in one movement advances the film, counter and cocks the shutter, and with the second movement releases the shutter.

The Nikonos IV & V are a complete new design -similar to most cameras- with electronic shutter, more shutter speed choices and TTL light meter, conventional film advance lever and back opening. All Nikonos cameras bear the same bayonet lens mount and are scale focus cameras except the Nikonos RS. The RS is an AF SLR. A different chapter on its own.

Amphibian lenses for the Nikonos (I through V) are the Nikkor/Nikon 35mm & 80mm. All other lenses from Nikkor/Nikon and other companies are only for underwater use. The lenses usually have two knobs, one on each side. One to control the aperture and the other to set the focus distance.

Heavily associated with underwater photography, the Nikonos is exactly what the manual states. An amphibious camera. For you don’t have an awkward underwater case with a camera inside that you would be hard pressed to use on land, you have a 35mm camera with a body designed to withstand difficult weather conditions on and off land in a logical size. Still you have to respect it’s boundaries and not treat it like a throw here and there object.

Sea or lake water will not get in if the camera is closed and the O’ring seals are in good condition, sand will not be a problem unless you rub the front glass of the lens with it and scratch it. If you drop it, it will propably be in better shape than any other camera but it is not meant to be dropped. No camera is.

If you are not certain about the condition of the O’ring seals on your Nikonos it is best to not get it underwater. Rain or snow will propably not harm it -unless the O’ring seals are not even present- but water pressure being full underwater will.

I am not a diver, nor a climber or wander inside thick wet jungles… but these are not reasons not to own a Nikonos camera. They are beautiful in their own unique way, rather simple to operate if you get along with scale focus and with a heritage of being an important chapter in photographic history.

Parts for I & II are scarse but if the body is not abused, with a bit of CLA will work as should. The Nikonos III is considered the best option of the three. Newer, possibly easier to find parts, it’s size makes for better handling, it has a better viewfinder and has sprocket holes for film transport which I & II don’t. It has more plastic parts and this makes it more rust proof in case of water flood but also a bit more fragile.

The basic teardown of the camera -for the user- consists of 3 parts. The lens, the lower body which acts like an outer housing and the upper patrt with the interior body.

To open you have to first slightly pull out the lens for the two safety pins to disengage and turn it about 90 degrees left or right to free it from the bayonet mount. The carrying strap attachments on each side serve also as levers to lift the upper part and take out the insert from the lower body in order to load/unload film.

If you don’t remove the lens first you will not be able to push the inner body upwards. The Nikonos III has a plastic upper part. Though it is quite strong there are Nikonos III’s with a crack on their upper body due to excessive force on the side levers to remove it with the lens still mounted.

The Nikonos II has a plastic handle to rewind the film. A delicate easy to break part. But it’s biggest issue is the design of the viewfinder. According to the late Bob Warkentin (Southern Nikonos Service Center Inc) ‘…nearly all Nikonos II will have a foggy viewfinder. The reason is it was sealed with a silicone adhesive around the front glass. Over time the vapors would out-gas but be trapped inside the sealed chamber. The result is permanent damage to the optical glass…’ 

My Nikonos II has a foggy viewfinder. Not a deal breaker to take a photograph since you just need it for simple framing, but I would prefer it to be clear. I will not dismantle it to see if the optical glass it’s beyond repair though, because I am rather certain I will not be able to find the parts needed to seal it again.

The lens, a chrome W-Nikkor 35mm F2.5 from the same period has smaller side control knobs from the later black ones. The chrome lenses came with two plastic covers on the knobs to make them larger thus easier to use with gloves. I have those covers off because after all these years their shape is altered and are not tight enough to stay on.

There are 2 basic O’rings to watch out and take care while loading the camera. The one on the lens and the one on the insert. These are the ‘user’ O’rings. There can be not be a single speckle of sand/dust on either one, any particle on the O’ring can ‘break’ the seal and let water in. The O’rings must be lubricated with a small amount of silicone grease and be in good condition, not old and stiff with cracks. Apart these two, there is the one in the flash mount socket, the one in the front glass on the lens, the ones on the side knobs of the lens and the rest are not seen, inside the camera. Those are usually checked by a trained technician.

A nice object to have next to a Nikonos -and use if it’s working- is the Sekonic Marine Meter (L-164). There were underwater cases made for specific light meter models, the Sekonic L-164 is build like the Nikonos, to be used underwater or in harsh weather as is, no extra case needed.

It is a CDS light meter powered by a PX-13 battery which is banned. A hearing aid battery can be used as it is about the same voltage.

My model is the Sekonic Marine Meter II version B (L-164B) distinguished by the cream colour on the back.

Pretty simple to use, the Sekonic Marine Meter II is a discreet, pocketable light meter… 🙂

The Nikkor 35mm lens is a nice lens in b&w as well as colour film.

PanF50

Kodak Colour 200

When days of heavy snow make an appearance, the Nikonos is well suited for play… Exposures could be better but I was without a light meter.

Ilford HP5@800

Kodak Ultra 400

Used a newer black Nikon 35mm lens with the Kodak Ultra 400. It was mounted on an ‘as is’ Nikonos V I bought cheap that turned out to have been completely flooded, stuck and full of sea salt… the black lenses have bigger controls ommiting the need for covers to make handling easier.

There were a few other amphibian cameras made, but none so capable and complete as the professional system with lenses, flashes, macro add ons etc… that the Nikonos line was. I doubt there will be another Nikonos line in the future. Underwater photography is back to evolution of housings for the expensive DSLR and Mirrorles cameras. Weather sealing design in some models tries to be on par with harsch weather conditions and a few compacts are made as a tuff construction to withstand submerging. But you never know.

Nasos Papathanasiou

Two notes drifted…

Years ago, in the pure analog days, Travis and Yuko wrote a message on a piece of paper. Not to each other. It is unlikely they knew each other. Travis wrote to Caroline, Yuko wrote to David. Those two notes drifted in place and after time found their way to me, the first in a record and the other in a dictionary.

I found the note Travis wrote to Caroline in a used record. Air Supply’s Greatest Hits. Bought with some other records many years ago, and for many years didn’t know it had David’s note inside. A record I listen rarely and perhaps I would have sold if not for the note in it.

Yuko wrote to David and perhaps placed the note in the Kanji and Kana dictionary I found it in. I can’t read Kanji or Kana, at some point I thought of getting into learning and bought that used vintage dictionary, but never got into it.

Writing on a piece of paper was (and for some still is) a way of communication, whether to inform, flirt, remember, aknowledge, praise, or a way of creation by means of writing lyrics, poetry, or drawing. The majority were small, usually torn from a larger piece of paper and placed in a wallet, pocket, desk, board, box etc… most times upon reading the message, it was thrown in the trash bin, or forgotten -especially if it was placed within something- and many times kept intensionally, especially if it was from someone special.

A personal note to someone, marks a certain moment in time. But it only tells a ‘stranger’ something only for the moment it was written. Like a photograph. The complete story before, during and after, most times is not revealed. It is only known to the ones involved.

Nasos Papathanasiou

A Tale Of Caution…

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Nearly does not fit the bill – a tale of filters, lens hoods and squirrels.


I once bought a Leica M3 at a ridiculously low price. I was surprised that the seller didn’t seem to know the correct value of the camera especially as it had a quite rare Summarit 50mm f1.5 lens with a Leica UV filter (41mm thread) and both of the original lens caps. Probably because the lens was not even mentioned in the listing I got the whole lot for a very low price. Those days are now largely gone of course and Russian sellers are suddenly asking more for Fed and Zorki copies (untested) of Leica II and III cameras than genuine cameras go for. Such is life!

Anyway, time passed and as usual, something else caught my eye. I had by this time 2 M3 cameras so I sold the one that had come cheaply to me with the Summarit lens but I was very canny – or so I thought – and kept the UV filter as they were selling on their own for up to £100. I put it away safely.
The thing about the Summarit, well two things, is that:

a) it has a bad reputation for lens flare / contrast issues but if you can control them it is otherwise a good lens b) it has an unusual 41mm filter thread with a bit of a strange pitch.

For a company that had been addicted to 39mm filter thread lenses, 41mm was a bit of a departure. So none of your existing filters worked and you had to buy ridiculously expensive 41mm filters. The lens hood was obviously “designed by a committee” as we say in the UK. A heavily over-engineered, black, square metal box that could collapse (Leica have always had a thing about collapsible items). A bit like their answer to SLR cameras, the Visoflex! A complicated and heavy contraption to convert a rangefinder into a TTL camera.

The collapsing lens hood for a Summarit lens still sells for £150 without a problem. It looks – well, let’s just say beauty is in the eye of the beholder! But you need a hood – that’s the problem. When in doubt Google will provide an answer. In a Leica forum where geeks and nerds huddle closely together I learned that a 40.5 lens hood would work – oh, I forgot to say that I regretted selling my original Summarit and so I bought another one, (while trying to ignore the amount of money I lost in that series of transactions). Vented plastic jobs from China were suggested. I duly transferred £5.99 from the struggling UK economy to the booming Chinese economy. Eventually, after being carried on foot (it seemed) across the searing Gobi Desert and the vast plains of Central Asia, held high by a series of swimmers across the Euphrates, the Tigris and the Nile, rowed past Malta and the Balearic Islands and marched through Spain and France, it found itself on another slow boat to Scotland. Luckily I had thus far survived the worst of the Pandemic and couldn’t wait to attach it. The new Summarit had also come with a UV filter – which was good because I never did the find the one I put away carefully that came with the first lens.

Problem 1 – the UV filter has no thread that will allow you to attach a 41mm or a 40.5mm lens hood. OK – remove it.
Problem 2 – a 40.5mm hood, whether from China or Jupiter, will not, under any circumstances, allow itself to be screwed on to a 41mm Summarit. It will pretend briefly to be attached just to make you happy and then it will fall off. It might as well have a 40.5 metre thread. It is incompatible. It doesn’t work. Not a chance. Maybe with a lump of chewing gum but otherwise? No cigar.
I put it in the box of things that hang about hoping to be useful one day but they know they are never going to be used. The Misfits Box.
Weeks later, still annoyed about losing a £100 UV filter from the original lens, I wake up during the night and think “Step up filter with another cheap hood!” I’ve got lots of 58mm bits and pieces as Canon like 58mm, including filters and polarisers so I’ll get a 41-58mm step up and a 58mm lens hood. Job done.
Eventually they arrive and they work – but they look a bit bulky. Not modern and sleek like the vented hood that fought its way here from Beijing. So they are allowed in the Leica case but not with enthusiasm.
More days pass and it’s consigned to the subconscious. Then I wake up again and think “I don’t have a hood for the 35mm Summaron either – or for the Elmar 90!” Of course they use good old 39mm filters and hoods. So now I buy a new 39-40.5mm step up and I can attach the sleek modern vented hood to those lenses. But not to the 41mm thread Summarit………….
If I had thought it through carefully I could have bought two step up rings and a sleek, modern vented hood that was bigger than 41mm so it could have done for all three lenses – aaaarrrggghhh!
And of course there is still the question of whether a bulky non-vented hood will work without vignetting on the 50mm lens, given that it isn’t designed for it, and….will the sleek modern vented hood work equally well on a wide angle lens and a portrait lens or only on one or neither!


So “nearly” isn’t perfect and it isn’t acceptable. And sometimes you have to buy the correct thing for the job and not be a mean Scotsman and…….safe places are only safe if you can remember exactly where they are, as all good squirrels (Scottish, Chinese or Greek even) know. Are there any squirrels in Greece or China – I’ve never thought about that before!
So I’m annoyed about that series of events and I’m still annoyed about the missing filter. I have turned the house upside down trying to find it. 
If I do, I want it placed beside me in my coffin. Then I won’t lose it again.

Gordon Christie

Birthday Thoughts

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I suppose when it’s your birthday and you’re not in “the first flush of youth”, you are entitled to say a few words. I’m lucky enough to be able to add mine to my friend, Nasos’, blog.

Yesterday (my birthday), my granddaughters made the whole day a magical experience. When I picked them up from school they almost knocked me over in the rush to hug me and then they sang Happy Birthday very loudly in the playground. One of them continued to sing Happy Birthday all the way home, only stopping once or twice to sing Rudolph, the Red Nosed Reindeer with a few unrecognisable lines thrown in (“I just made that bit up Papa”).

My son and daughter in law must have spent ages thinking of presents. A book about the world of sheds – I’ve just built one – a magnetic wristband tool holder so that you never lose a tool again (which I do all the time) – a builder’s “beanie” hat with a built in three intensity light so that you can always see what you’re doing and don’t try to drill through your finger as I did twice while building the shed. Brilliant!

My long-suffering wife, who has served her life sentence with me with a stoicism that the Ancient Greeks would have been proud of, made a beautiful meal and a giant birthday cake with candles. We all had food and a drink, we chatted, we laughed and inevitably it went a bit quiet when they left and we tidied.

My mother had given me money so I had ordered a new lens to replace one that I stupidly sold. A Summarit f1.5 for the Leica M3. It even arrived on the day.

It was easy to forget that it is a troubled world that we live in. The Americans are finding out in huge numbers that wearing a mask is not a political problem. It is not a matter of patriotism or bravado. It is a simple thing we can do to protect, even in a small way, ourselves and others from a virus. They are also finding out how blind allegiance to a “leader” who no more deserves that title than fly in the air, can cause a nation to split into factions with dire consequences for democracy and the rule of law. I’m reminded of someone’s words (which I may be mis-quoting) – the only thing required for evil to succeed is for good men to do nothing. The political yes men and sycophants who look after themselves and their own jobs while emulating a President who is no more a statesman than I am, will hopefully come to see themselves as “ithers see them” (Rabbie Burns).

Remember what happened in Germany in the 1930s.

In that quiet time I was also reminded of my brother Alan. He too succumbed to a virus when he was 20 (Goode Pasteur Syndrome). This one death rocked our family to its foundations. We did not recover. We collapsed. We live with the repercussions even now, more than 50 years on. Multiply this by the number of Covid deaths to see the impact. It is not about numbers. It is not about freedom, leaders or politics – it is about people and families.

But I also, for the very first time in my life, became aware that I was still mourning my brother- but he would not have wanted that. He would have wanted to be remembered differently – with pride, with joy for his life, for who he was and for what he represented. For his brilliant art, his career, had he lived, as an architect. For his gentleness, for his hatred of violence – the last refuge of the inept – for his love for his family and his fiancée.

So today I put Alan Grady Christie’s name on the internet. I celebrate his short but excellent life. He loved and he was – and is – loved.

If we all do that with our loved ones maybe they will be happier and the world may be a better place. That’s my prayer.

Gordon Christie

Twin lens reflex(ibility)

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In this long photographic entanglement I’ve never really had much to do with TLRs.
I don’t know why; I only know that it is so. One of my search criteria on the dreaded auction site however is “6×6”. For some reason it defaults to motor vehicles but one can filter them out and point only to cameras. Inevitably TLRs feature in the results.
I was drawn to an old Ansco Anscoflex I think because I like unusual designs. It’s a 620 only camera – I found out that 620 is just 120 on a spool that has thin end pieces. So you can re-spool 120 on to 620 empty spools. Nasos had some spare ones. So far re-spooling has not taken place…..
A few more TLRs followed.
A Welta Weltaflex – they didn’t stay up all night thinking up a name for that one!
A Lipca Flexora – some fungus issues.
A Sem Semflex – again no prizes for unusual naming. But it has lenses with the exotic name Som Berthiot.
A Zeiss Ikon Ikoflex coffee can model. Apparently it looks like a German World War I coffee can. It’s unusual in that the film travels horizontally and not vertically.
It was £25 but the rest were only about £10 each.
A Ross Ensign Ful-Vue Super 620. This one is black but they were made in red, blue and green finishes also.
The Zeiss and the Welta have a certain “feel”. Your hands can tell quality long before your eyes can. The Zeiss has weight or “heft” and the Welta – well, not so much but you can tell it’s mid-range and not budget.
The SEM is probably mid-range too. The Flexora feels lighter and cheaper. The Ful-Vue, because of its construction material, is difficult. I happen to know that it was not a high end product but it might fool you if you were to rely on your hands only.
I used to own a Rollei SL35. I think camera manufacturers lost their way a bit in the 70s – 90s and this was a camera that was difficult to have any affinity or warmth for. I sold it and it left me with a bad feeling about Rollei in general. I knew all about their long history and legions of fans but I wasn’t one of them. I did have a bit of a thing about the little 35mm  B35 but never bought one.
A couple of weeks back I saw what appeared to be a good buy at £200. A Rolleiflex Grey T with a Tessar 75mm f3.5 lens (viewing lens is a Heidosmat). It duly arrived.
My hands were instantly telling me “quality” and I had an instant affinity – a connection – that I still cannot explain. It’s as though I designed and fashioned it with my own hands, like some Scottish version of Mr. Barnack.
Gordon McBarnack inventor of the Rolleiflex T! But of course it wasn’t me it was someone else or a German Committee or whatever. Anyway I was delighted with it. I decided to call it “Earl” – Earl Grey T(ea).
It would need a film inserted. Just before doing that I decided to turn the film crank handle. It spun round in a limp way a few times and then it jammed. It would not move forward or back and the shutter wouldn’t fire. The £500 CLA done in 2018 had not done anything to avoid this.
Sadly I returned it to the seller and was refunded.
I had bought a case, some strap connectors and a double lens cap for it. They all arrived two days after it was sent back.
Nasos reminded me that Ffordes in Inverness were selling one. A bit more expensive but with 6 months warranty. I bought it.
It duly arrived by next day delivery service. Film inserted, 12 shots taken, developed and scanned. All good.
Condition? Not quite as good as the first one but not bad.
Here’s the point though. I don’t have quite the same affinity for it as I had for the first one. Why? I have no idea but I know it is so. I don’t dislike it but the first one felt as though it was mine and always had been. This one does not feel like that.
My friend Steve from Leeds says you have to have a tweed jacket and a deerstalker hat to use a Rollei. Be a “gentleman photographer”. It’s a British class-system joke. Maybe it will “grow on me” and I will come to have better feelings about it. Maybe I need a tweed jacket.
But it seems when dealing with reflex cameras one’s feelings have be a tiny bit flexible.
Gordon Christie

Elina’s blue box

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Look at your camera cabinet and pick an old, less expensive, simple camera you don’t normally use, shoot a roll of film and write a musing. This was -in my own words- Gordon’s urge to me.

What’s in my camera cabinet that qualifies? The Lubitel, my Grandmother’s Kodak Hawkeye flash model, the Ihagee Ultrix simplex, my fathers Yashica J and a Kodak box camera. All cheaper and simpler than other’s I own, but with a special place in my heart.

Decided on the Kodak. A blue Kodak Brownie No2 model F I bought for Elina, my partner in life. Had to be blue, her favourite colour.

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The Kodak Brownie No2 is the first Kodak box camera to use 120 film. This blue colour Brownie was made in Great Britain between 1929-1933. It has 3 aperture choices -possibly f11,f16 & f22- a single shutter speed of about 1/50 and option for long exposures.

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There are two metal levers on top, the wide one in the middle controls the aperture and the thin one on the side is for long exposures.

There is an film advance wheel and the shutter release on the side. The shutter release goes up and down, in both occasions the shutter is triggered.

The Kodak Brownie No2 -like most box cameras of the same shape- has two viewfinders. One in the top for vertical shots and one on the side for horizontal. It also has two standard 1/4” tripod holes, one in the bottom and one in the side.

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On the back there is the distinctive red window to aid in advancing to the next frame, a classic on most old oldies. On this blue body the red circle makes a favourite detail.

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I fed a Fomapan 200 to the Brownie and went out. The simplicity of a box camera frees your mind. I have to free myself and experiment more without too much thinking with the other more sophisticated cameras too.

Like Gordon I too didn’t check the cleanliness of the camera. The negatives have many line marks, caused -I think- by dirty rollers on the films path towards the take up spool. The lens resolution is kind of typical from the humble 1920’s meniscus. We don’t care. We are not in it for the resolution. We are in it for the photographs.

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A box camera is one of the simplest camera’s to use. It is fun. It is history. It is freedom. And most of them out there still work.

 

Nasos Papathanasiou

Cheap and / or ancient cameras

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It was during an exchange of emails with Nasos that I decided to challenge myself to put a roll of film through a cheap and previously unused (by me) camera.
I went through the possibilities – the Horizont – but it wasn’t very cheap (not expensive either).

The little Yamato Pax – but the shutter is faulty.

I went through the (too long according to my wife) list.

In the end I settled on one that was gifted to me – it’s from UK, so that’s a bit unusual, it was a gift (so very cheap) and it’s in very good condition. The shutter has only two speeds, B and 1/50th. You can have f11 or f16 and that’s it. It’s a Kershaw Penguin (why Penguin? – don’t know) 8-20. You get 8 negatives at 6x9cm from a 120 roll, so that part makes sense. You can focus at 6 feet, 10 feet and Infinity. Say 2m, 3m and thousands of metres!

This camera was bought by someone who died before he could use it. So it sat in a cupboard and was eventually passed to his son, who then gave it to me. It has been with me for over two years and has not been used. It has never been used.

So what’s a challenge if you don’t share it? I decided to rope Nasos in and I set him the same challenge. We decided we would blog the results, so here it is.

The first problem – there are always little problems with film photography! – was getting the film holder spool from one side of the camera to the other. It was on the feeder side rather than the receiver side. It refused to be released. As usual, just when I was about to give up and leave it for another day, it suddenly popped out on a hinge. I don’t have instructions for it so I was working “blind”.

Next, when feeding the film across what is quite a wide camera, I found it difficult to keep tension on the film roll but eventually it was done.

Then I mis-read the indicators through the red window and went past frame 1 marker.

That was enough as I had started late and now it was about 11.30pm.

Next day was bright so I figured I could get something at 1/50th from my 100 ISO film. I went out into the garden and took 6 pictures of plants etc.

Then I asked my wife to take two more pictures – of me.

Next, rewind the film and get the changing bag. Job done.
I had just taken delivery of a new batch of Rodinal. The reason I had ordered this was that all my negatives were thin from 2 previous rolls. Not unusable but disappointing. Maybe new developer was the answer. I had been using FD10 and was beginning to doubt all my photography credentials.

No time like the present – get all the things needed together and develop the film. What’s the development time for this film on a 1:25 dilution? Only 4 minutes.

I gave the film 4.5 minutes. After stop bath and fixer and a long wash I gradually removed the reel from the tank. I was expecting thin but I got the opposite! High contrast negs at last! They looked ok to the naked eye.

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So here’s a few – scanned in an Epson scanner and converted via its own software. I would rather it just scanned the negatives but I haven’t found a way to do that yet……..
The first two were a double exposure but not in a good way!
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EPSON scanner image
EPSON scanner image
EPSON scanner image
EPSON scanner image
As Nasos remarked, they are a bit lo-fi. I went through all the possibilities. Focus could be out if the struts were not snapped into place properly. Don’t think that was it.
Nasos mentioned the lens – was it clean? I hadn’t checked it as the camera is basically new, but I should have. So I think there was a film of dust over the front element and it has diffused the light across the negatives. I still quite like them. They remind me of autochromes – in monochrome!

So from idea to fulfilment in 24 hours. It was interesting to have two exposure choices. It cuts down on decision making!

I’ve cleaned the lens and I might give another go with this camera.
Soon we’ll see what Nasos got from his challenge…..
Gordon Christie

Scotland 2019

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A morning in May 2019 in Edinburgh…
Day 1

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The beautifull tile murals at the Cafe Royal lit up our eyes and the stained glass, the mirrors and wood blend nicely. A fine place. We would meet our friends Gordon and Dorothy, but I messed up the dates and it didn’t happen. It will in the near future we hope…

It was a rainy morning, the first morning of our third trip to Scotland.

We walked up to Calton Hill for a rainy view of Edinburgh and it’s monuments.

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Old Observatory House

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Dugald Stewart Monument

Come rain or come shine the song says… whatever you encounter the view from up there is always a peasure.

It was a brief, rainy but worthy walk, then we took the road down to the bus station. The Megabus left as scheduled for Inverness.

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on route to Inverness

We arrived in Inverness bus station as stated in the journey info when we bought the tickets 3 months before. By the time we checked in to our hotel the rain had stopped. We gritted our guardian seagull and head out to Ness Walk road.


Day 2

The sun was up. Went to Eastgate shopping centre where the Unicorn whispered goodmorning to us and off we went. It was time to drive on the right/wrong side of the road again…

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the Unicorn

The destination, Isle of Skye. Some stops where required, as we would pass by favourite places… known and unknown…

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how can one resist? the sugar in the coffee… Redburn cafe

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Loch Cluanie

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Loch Cluanie

There was a parenthesis left open since we last saw Eilean Donan Castle because the wheather was bad. This time, the sun gave us a more colourful view of one of Scotland’s most famous castles.

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Eilean Donan Castle

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Eilean Donan Castle

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Eilean Donan Castle

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Eilean Donan Castle

Filled up our eyes then left Dornie and soon crossed Skye Bridge and entered the Isle Of Skye. A place with a geological history that includes some of the most ancient rocks on the planet, as Alan McKirdy writes in his book ‘Skye, Landscapes in Stone’ , a present from Gordon.

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Loch Fada, Isle of Skye

Overlooking Loch Fada you can easily see the Storr and it’s main tower: The Old Man Of Storr. After a few miles you reach Kilt Rock where Lock Mealt falls viewpoint provide an excellent view.

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Kilt Rock and Mealt Falls viewpoint, Isle of Skye

If the day is windy -it will propably be- you will hear the noise of the wind through the pipes on the viewpoint. Then, Portree welcomed us for the remaining day, a meal and a good night’s sleep.

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overlooking Portree Harbour, Isle of Skye

A nice walk down the pier with the colourful buildings is quite refreshing and at that time quite cold windy. Nice views from the pier also…

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on Portree pier, Isle of Skye

After the nice meal and some more walking around this small village, it was time to get cosy in our very picturesque room.

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Day 3

A good breakfast, a thank you to Ruth for the lovely room and we were on our way to a remote place about an hour and fifteen minutes away.

(Someone was caught in the act…)

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I hope I’m forgiven for stepping on the bench…

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near Edinbane, Isle of Skye

After Dunvegan the road becomes more remote and eventually you enter a single track road. If you’ve done your homework driving in single track road is pretty straighforward and polite.

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Unnamed road, Isle of Skye IV55 8WT, UK

Some great views and a lot of sheep. The quitness of nature is astonishing. Shooting black and white images of the rock formations and the sea amplify this place’s bucolic feeling.

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Neist Point Lighthouse, Isle of Skye

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Neist Point Lighthouse, Isle of Skye

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Neist Point Lighthouse, Isle of Skye

The path to the lighthouse needs it’s time, we had planned our time to walk it and it was worth it.

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on the path

All along the route, the guardians mark their present…calmly.

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the guardians

You can slow down or stop to get some rest and sit, chill out and enjoy the quiteness…

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almost there

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there

You can stroll around for more views, provided you mind your step.

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Neist Point Lighthouse, Isle of Skye

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the foghorn, Neist Point Lighthouse, Isle of Skye

The walk back needs more time… it’s uphill. A good excercise and upon completion, you find yourself once again in front of that view…

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Neist Point Lighthouse, Isle of Skye

For our return towards Broadford we choose the A863 road which passes near Dunvegan and takes you until Sligachan, then merges with A87 for the rest of the way.

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on Mill rd, near Dunvegan, just before A863, Isle of Skye

The A863 is one of the best routes we have driven in Scotland. The scenery is excellent. You have the open road, the land, the water and far away the splendor of Cuillin Ridge haunts your eye.

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on A863, Isle of Skye

Reaching Broadford we made a turn and took the B8083 for a short time, as needed to reach the remainings of Cill Chriosd. A small church that it’s history began about 500 years ago. The weather had changed to gloomy clouds and light rain.

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Cill Chriosd, near Broadford, Isle of Skye

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Cill Chriosd, near Broadford, Isle of Skye

After that small worthy detour, we passed Broadford and soon the Isle of Skye was behind us, as we crossed Skye bridge. The sun chased out the clouds and we stopped for a snack and coffee to a room with a view.

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Visitor Centre, Eilean Donan Castle, Dornie

Further down the road I made a quick stop to a boat I spotted on the way up the previous day.

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An old boat. Invershiel, Loch Duich

The perfect ending to a day full of great views, excpected us upon re-checking in to our hotel in Inverness. A nice bottle of wine from our friends Gordon & Dorothy.

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Slanthie!

Day 4

The Inverness classic vehicle show was under way next morning.

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Austin seven, Inverness Classic Vehicle Show, May 2019

The fabulus Austin Seven nearly outside the hotel door was a great welcome to another sunny morning. The road took us to Keith were we met up with Bill and Susan and head for a castle on a rock by the sea on Aberdeenshire.

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Dunnotar Castle, Stonehaven

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Dunnotar Castle, Stonehaven

As Gordon have stated, pictures we see of this place and it’s surroundings, do not do it justice.

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Dunnotar Castle, Stonehaven

After a nice meal in Stonehaven, we returned to Keith, a calm little town, where the oldest operational distillery in the Highlands crafts it’s Speyside. Strathisla.

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Strathisla Distillery, Keith, Moray

Day 5

14°C and sunshine. Perfect opportunity for a boat ride. A boat ride into a famous loch.

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on A82, overlooking Ness

Once again we enjoyed the drive from Inverness to Urquhart castle. We got a land view of it and drove back to the Loch Ness excibition centre to catch the boat ride.

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Urquhart Castle, Drumnadrochit, Iverness

Soon we were on a small boat cruising the Loch listening it’s history and myths.

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believers… why not?

Nessie did not make an appearance -clever girl, why bother with all of us…- the loch was calm and we enjoyed water views of Urquhart Castle.

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on Loch Ness

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Urquhart Castle, Drumnadrochit, Inverness

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Urquhart Castle, Drumnadrochit, Iverness

After the loch breeze refresh we went to the other side of Inverness, to Culloden battlefield. This time we spend time inside the visitor centre where the history of the uprising is presented. Later we once again walked through the battlefield.

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Culloden Battelfield, Culloden

This time the iconic Leanach Cottage inside the battlefield, with it’s stone walls and the thatched roof was open to the public.

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Leanach Cottage, Culloden Battlefield, Culloden

Once again we were moved by the location’s history and aura. Later in the evening we went strolling to Inverness.

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Greig St Bridge, Inverness

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on Ness Walk, Inverness

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on Ness Bank rd, Inverness

Day 6

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05:26 am

Airport day. Time to catch a flight back home.

That was our third time in Scotland. Need I say there will be more?

(All film images with a Hasselblad 500C and the Carl Zeiss Distagon 50/f4 lens, on Lomography Colour400, Ilford Hp5+ and Ilford Fp4 film. All digital images with a Xiaomi Redmi Note 4x mobile phone.)

Nasos Papathanasiou